KENNY BALL
& HIS JAZZMEN
Back at the
Start
Black
Bottom Stomp, Baby Doll, Hiawatha Rag, Waltzing Mathilda,
Nuages, Chimes Blues, Livery Stable Blues, American
Patrol, Black & Tan Fantasy, I’m Satisfied With My Gal, High Society, Dark
Eyes, You Must Have Been A Beautiful Baby, Tin Roof Blues, Putting On The Roof,
Putting On The Ritz, Lumbered At The Lotus, Beale Street Blues, Louisiana, Snag
It, Margie
To some
Kenny Ball was the epitome of bland British commercial Trad;
to others he was the British Louis ‘Satchmo’
Armstrong. Well, maybe ‘Sachmoish’ in my mind, but a
big plus is that whereas Satchmo’s All Stars tended
to be more of a backing group to his brilliant trumpet playing Kenny Ball’s
Jazzmen are very much a true all stars band. To understand what I mean listen
to ‘Baby Doll’ or ‘Black & Tan Fantasy’. Clarinettist Dave Jones gets to shew
his skills on “High Society’ and a favourite of mine from 1961 ‘Nuages’, which was the B side of the hit single ‘I Love You
Samantha’. John Bennett features with his wonderfully liquorish trombone on the
really beautifully arranged ‘Tin Roof Blues’. Kenny’s trumpet shines on
‘Lumbered At The Lotus’, which is somewhat spoilt by
its fade out ending.
This CD was
issued to celebrate the 40th anniversary of the band’s first
recording. The CD is a mix of B sides, live tracks and odd tracks and has
avoided the ‘hit’ material. There are some rather ‘traddy’
tracks such as “Waltzing Matilda’ or ‘Margie’. The ‘B side’ element is apparent
in the shortness of many of the tracks and the band often disregards the old
adage that traditional jazz should never be faster than a quick walk and
literally fly along with ‘Beale Street Blues’ being done & dusted in a mere
1min 58 sec.
Despite
some shortcomings I love the CD and play it regularly.
***
KENNY BALL
& HIS JAZZMEN
1960-1961
Hawaiian
War Chant, Them There Eyes, Georgia Swing,
Teddy Bears
Picnic, I Got Plenty Of Nuthin’, Dinah, Lazy River,
1919 March, South Rampart Street Parade, Savoy Blues, Ostrich Walk, Blue
Turning Grey Over You, Finger Buster, Big Noise From Winnetka, Potato Head Blues
‘Thanks’
for coming tonight, I know its been cold sitting out
there in the park. We are going back to the dressing room now; if you’d like to
join us for an autograph or a chat, you are most welcome.’ Like his music,
Kenny Ball was always friendly, open and pleasant. When you went to see Kenny,
you knew you would get trad and trad
at its best played by some of the best musicians in the country. This jazz is
lightly orchestrated, yet with sufficient room to allow freedom of movement. As
time has gone by trad has started to become
rehabilitated, and I for one am glad, for it was good happy music that paid
more than a courtesy nod to
You should
buy this CD, it reflects Kenny Ball and the boys very
much as they performed live on stage, as opposed to the slightly more trite pop
singles they issued to pay the rent.